21 July 2011 - 1:54pm| by | 22 comments

2014 Commonwealth Games Pictograms: Q&A with Gordon Arthur

An exclusive look at the 2014 Commonwealth Games pictorgrams designs by Tangent Graphic, with insight provided by Gordon Arthur, communications director for the games.

What was the brief for the design of the pictograms?

We wanted to produce images of all sports that are immediately recognisable by athletes, officials and spectators.

We wanted them to be engaging, memorable and effective across a wide range of media and merchandise. They also had to stay true to our vision for the Games.

What will these pictograms represent for the Games?

Pictograms are an integral part of the Games identity, enabling efficient wayfinding by athletes, officials and spectators.

They are a major part of the look of the city at Games-time, showcasing the 17 sports in the programme.

Why choose this direction?

Having built the Games brand identity on the themes of time, data and measurement, we wanted to extend that approach into the pictogram design. We have achieved this through capturing the ‘defining moment’ for each sport ie. the instant that these values are recorded and success is achieved. The emphasis is also on the winning athlete which lends itself well to our commitment to being athlete centred in our preparations for the Games.

Another innovative element sees all 17 pictograms contained within a circular frame, or bearer, for the first time in the history of modern Commonwealth and Olympic Games pictogram design.

How long was the design process and how many differing ideas were looked at?

The design process took approximately ten months from concept to launch.

During this time we went through an extensive consultation and approval process with some of Scotland’s leading athletes to ensure the pictograms truly represent the defining moment of each of the 17 sports that will be showcased at the Games in three years’ time.

Four different agencies pitched at least one creative concept to us and our final selection was from Glasgow-based creative design agency Tangent.

What other ideas were considered?

We challenged the creative agencies to show us how they would differentiate between similar sports such as racket sports (badminton, squash and table tennis).

The agencies brought forward a range of different concepts and we chose Tangent’s ‘defining moment’ idea which encapsulated the instant victory is achieved by the athlete.

As with the Glasgow 2014 identity, we worked with our creative design agency to develop a series of animations to bring the pictograms to life.

How will they be used?

The primary purpose of the pictograms is to aid wayfinding during Games-time, so in three years’ time, you will see them on places such as venues, waymarkers, literature and signage.

They will also be an intrinsic part of our build-up to the Games. They will be utilised in our merchandising strategy and will be available to the world’s media for use in different broadcast, online and print publications.

How do you see these as being consistent with the logo?

Our pictogram designs are completely in line with the geometric, concentric rings that have become synonymous with the existing Glasgow 2014 brand identity – bringing a new, fresh approach to pictogram design when compared to previous Games.

The pictograms have continued the theme of the overall brand by using rings to construct the athlete represented in the design. The lines have also been tapered to ensure we accurately portray muscle definition and introduce a sense of movement.

Linking pictograms to the brand logo is yet another unique approach and something which will distinguish Glasgow 2014 to previous Games.

How closely are you following the Olympics marketing communications strategy and have you taken any ideas or learned anything from that?

We, of course, follow their marcomms strategy with interest – and we are very lucky to be in regular contact with our counterparts in LOCOG and able to benefit from their experience.

Our main focus, however, is on creating a public engagement campaign unique to Glasgow 2014, which fully embraces and engages Glasgow and Scotland.

The ticketing for the Olympics has been a huge issue – how do you plan on avoiding such problems when the time comes for Commonwealth Games tickets to open to the public?

With so many tickets sold far in advance, London 2012 will undoubtedly be a massive success. The demand for tickets has been incredible, far outstripping supply, which inevitably creates some disappointment for those that miss out.

The fact that people have been so desperate for tickets for London 2012 only points to the success of their engagement and marketing campaigns, and is something all multi-sport events dream of!

In terms of our own ticketing strategy, three years out from the Games, we are in the early stages of development. As part of our Memorandum of Understanding with London 2012, we will learn from their experience before putting tickets on sale for our own event.

Will you use a similar or different system?

We will be launching our ticketing programme in 2013 which will outline how we propose to deliver the ticketing process. This will include the pricing strategy for our tickets.

What else will we see coming out of the Games organising committee in the coming months?

Our marketing team is beginning to expand to develop and oversee increased activity in this area as we get closer to the Games.

The next twelve months are an essential and exciting time, as we ramp up our public engagement, put in place our advertising agency needs, create our mascot, begin to plan our media and look programmes and expand our content and digital offer.

First up is a high profile public event, bringing sport to the streets of Glasgow as part of the Merchant City Festival to celebrate the landmark of Three Years to Go.

In the meantime, the construction and preparation of our Games venues and infrastructure will continue to progress on time and on budget.

The National Indoor Sports Arena (NISA) and Sir Chris Hoy Velodrome and the Scottish National Arena at the SECC are progressing well and the finishing touches are being made to the Kelvingrove Lawns Bowls Centre where the turf is already being laid – real tangible reminders that the Games are not too far away.

The Glasgow 2014 Organising Committee will also be moving into a new home on Albion Street in the Merchant City in October so there is a major amount of work being done three years out from the Opening Ceremony.

Untitled from FormFiftyFive on Vimeo.

Comments

Anonymous (not verified)
21 Jul 2011 - 16:22
Anonymous's picture

i agree they look good and do fit well with the logo design but is it a netball image? looks more like that to me than baskeball. What is the difference in pic 6 and 15 i cant see what sport its is other than wrestling.

21 Jul 2011 - 16:34
david_freer's picture
12
comments

The boxing one is cracking!

Anonymous (not verified)
21 Jul 2011 - 16:50
Anonymous's picture

These are great. Looked at older pictograms from other games, and these seem really original.

Anonymous (not verified)
21 Jul 2011 - 16:55
Anonymous's picture

5 star

Anonymous (not verified)
21 Jul 2011 - 16:57
Anonymous's picture

Jesus, they are awful.

21 Jul 2011 - 16:58
greig_anderson's picture
34
comments

Lost of movement and originality in these, nice nods to the main identity through the cycling wheel etc. Good work guys, onto a hiding to nothing with projects like these but think you can come out with your heads held high. Congratulations.

Anonymous (not verified)
21 Jul 2011 - 16:58
Anonymous's picture

and what's your creds anon 16:57?

21 Jul 2011 - 17:06
paul_foley's picture
74
comments

Nice!

Anonymous (not verified)
21 Jul 2011 - 17:11
Anonymous's picture

good work.

21 Jul 2011 - 17:13
mike_sullivan's picture
5
comments

Work very well.

21 Jul 2011 - 22:31
tom_mccrorie's picture
83
comments

Nice flow to some of them, but some of the curves look a little ropey on one or two of them Arched back of cyclist for example). Nice work though.

Anonymous (not verified)
22 Jul 2011 - 05:42
Anonymous's picture

Just weak and old fashioned, sorry don't get it. Shouldn't the Olympics be all about speed, grace and excitement?.

Anonymous (not verified)
22 Jul 2011 - 07:23
Anonymous's picture

It's not the Olympics 05:42.

Anonymous (not verified)
22 Jul 2011 - 09:20
Anonymous's picture

05:42 not surprised you don't 'get it'...2014 - Olympics?

Anonymous (not verified)
22 Jul 2011 - 09:52
Anonymous's picture

What is the 13th one? It looks to me like a guy running away from a bike with and tsunami.

22 Jul 2011 - 10:03
graeme_mcgowan's picture
4
comments

Big fan of these, can see how they work really well as animated versions. Good work from Tangent - great to see a young Glasgow design agency doing so well by winning big accounts and producing great work. Well played guys.

Anonymous (not verified)
22 Jul 2011 - 11:43
Anonymous's picture

Anon. 9:52 - that'll be triathlon I'd have thunk

Anonymous (not verified)
22 Jul 2011 - 11:43
Anonymous's picture

Look overly complicated to me, virtually drawn the arena the sports held in...

Anonymous (not verified)
22 Jul 2011 - 11:43
Anonymous's picture

Look overly complicated to me, virtually drawn the arena the sports held in...

Anonymous (not verified)
22 Jul 2011 - 11:44
Anonymous's picture

Has the cyclist fallen asleep at the wheel? it's very static looking, and the swimmers arms look back to front, the triathlon is very weak, overall they're not bad but could do with a lot more development.

Anonymous (not verified)
22 Jul 2011 - 11:54
Anonymous's picture

Anon 11:44 - cyclist is, I assume, pushing the front wheel out in order to win a sprint; swimmer is fine, nice high elbow lift although swimming through a rather large wave for an indoor pool!

Anonymous (not verified)
25 Jul 2011 - 14:18
Anonymous's picture

It's a tough gig finding a style that is simple, graphic and either dynamic or graceful but these do tick quite a few of the boxes. They don't feel as self contained as they should despite the circular window and the body positions don't feel as obvious as they could be in some cases; the weight of secondary lines for the specific sports feel like afterthoughts and could be more harmonic. Having said that, they pee on the 2012 pictograms from a great height.

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